That such a slave as this should wear a sword,

Who wears no honesty.

 

 -Kent

 King Lear               Act II, Scene ii, Line 116

 

So, where are we today? Kent’s about to be put in the stocks for being all pissed off. He just can’t stop ranting. Just looking at Oswald has got him all wound up. You can look at a couple of previous posts on this scene here, here, and here to give you a little more background, but the bottom line is that Kent just can’t shut himself up. He continues ranting against Cornwall and the others until they end putting him up in the stocks. 

Talk less. A line from the play Hamilton which might have served Kent well at this point. Talk less. 

I find that to be good advice for myself in many situations, and I try to follow it when I can; not always, but often. I can’t remember the last time I just went off uncontrollably… oh wait, actually I can remember. It was a few years ago with my next-door neighbor about the property line. He had just paid a surveyor to find out that he was wrong about the line, and our discussion quickly devolved into me yelling at him uncontrollably. Yup, I went full Kent on him. Luckily, I didn’t end up in the stocks. Luckily, I have Patrice, who saved me by intervening. Good thing too. Oooof. 

Yes - Talk less. And yell and swear less too. 

This, believe it or not, is a pic of the aforementioned property line. There's a little bit of pink ribbon (See it? It's in the middle of the picture.) attached to the stake that the surveyors placed here. So I knew exactly where the line was, and StickBoy did too. Oh boy, I'm getting riled up just thinking about this. Okay, never mind. Talk less; or just stop talking. 

Goooooosfraba.

 

Arm, gentlemen, to arms! For I have thrown

A brave defiance in King Henry’s teeth,

And Westmoreland, that was engag’d, did bear it,

Which cannot choose but bring him quickly on.

  

-Douglas

 King Henry the Fourth Part I      Act V, Scene ii, Line 44

 

To arms! To arms. King Henry gave these guys (the rebels), including, Douglas the chance for a pardon, but they don’t believe him, so they’re just gonna fight it out.

He threw a brave defiance in King Henry’s teeth. That there is some pretty nice imagery, if you're into that sort of thing.

Anyway, no sense trying to talk it out when you can just fight. Right?(That's sarcasm, in case you missed it.)

I didn't have any pertinent pic for today, so I'm giving you this one which I thought was kind of nice.

This is the spout I wear on weekends to keep my hair out of my eyes. However, I just got a haircut this morning, so now it's not long enough to spout. 

No more spouts for a while. 

 

Were it not better,

Because that I am more than common tall,

That I did suit me all points like a man?

A gallant curtle-axe upon my thigh,

A boar-spear in my hand; and- in my heart

Lie there what a hidden woman’s fear there will-

We’ll have a swashing and a martial outside;

As many other mannish cowards have

That do outface it with their semblances.

 

 

-Rosalind

 

As You Like It                                Act I, Scene iii, Line 119

 

Yup, that’s right, I gave you the whole paragraph instead of a line. But it’s pretty short, and pretty understandable. Rosalind’s just been banished from the court, so she and her cousin are talking about taking off on their own. Celia suggests that they give themselves a dirty appearance so as not to be taken advantage of since they will be two women traveling alone. Rosalind has a better idea:

Wouldn’t it be better, since I’m so tall, that I disguise myself as a man? An axe on my thigh and a spear in my hand, and, regardless of the woman’s fears in my heart, I’ll have a swaggering and valiant appearance; much like many cowardly men who have a manly look to them.

That’s my paraphrasing of today’s lines. It just seemed that whole little speech was better intact. Also, regardless of the fact that I paraphrased it for you, the original text is pretty understandable to me. What do you think?

I'm not sure if this qualifies as a curtle-axe (because I don't know what a curtle-axe is), but it's about the right size to wear upon my thigh. My favorite son-in-law found it for me in a little flea market store outside Nashville. The funny thing is that it's imprinted with the Boy Scout logo and the manufacturer, Bridgeport Howe Mfg Corp, Bridgeport, CT. Since I was a Boy Scout in Bridgeport, CT, Jeff rightly assumed that I would want it. 

Just the same, I probably won't be wearing it on my thigh anytime real soon. 

(postscript: I just looked up curtle-axe in my Shakespeare Glossary and apparently it's a cutlass, a sword. Since I don't have a cutlass, I'm sticking with my Bridgeport made, Jeff discovered, hatchet.)

 

 

By love, who first did prompt me to inquire;

He lent me counsel, and I lent him eyes.

  

-Romeo

 Romeo and Juliet           Act II, Scene i, Line 122

 

Love lent him counsel. That’s really not much of an answer to Juliet’s very reasonable question,

By whose direction found’st thou out this place? 

This is the very, very famous balcony scene. Juliet was just  talking to herself (the even more famous O Romeo, Romeo! Wherefore art thou Romeo?), and now she has just realized that Romeo is there in the dark, below her window. How the heck does he know where I live?, she's thinking.

Now, if you were to stop ten people randomly on the street and ask them to describe one scene from a Shakespeare play, this is probably the scene that nine of them would describe. Heck, it’s probably the only scene that nine of them would know. Sure, most of them would know the lines ‘To be, or not to be…’, but they wouldn’t know what that scene is. It is this scene that is probably the most famous, well-known scene in Shakespeare, perhaps in all of drama. And what is it a scene of? If written in modern times, this might be called a scene about a peeping tom or a stalker. No, really. He ran into the girl at a dance earlier that evening, became infatuated with her, and now he’s outside her bedroom window in the middle of the night. Right?

Of course, that’s not the way it’s playing out here. She’s as in love with him as he of her, and pretty happy that he’s there. Go figure.

I have found that the plot lines of Will’s plays do, sometimes, seem to stretch the limits credibility. And yet, every time I say that, I end up finding a credible example in real life of the supposedly incredible story that he painted. No, I don’t have one of those examples for you this morning. And yet, I know it will eventually come to me.

Therefore and ergo - Romeo is not a stalker.

Ok, what the heck is that a picture of? Well, this is the spot on the drainpipe next to my desk here in the cellar where I turned to see a pic of Juliet's balcony. Unfortunately, the pic is not there, and I'm not sure where it is. And that's too bad, because it would have been a really appropriate pic. Oh well, if I find it I'll let you know and then I'll give you a better description of it. In the meantime, be a little bit careful about hanging around outside girls' bedroom windows. In most cases, it's probably not a really great idea. 

 

 

Not long before your highness sped to France,

The duke being at the Rose, within the parish

Saint Lawrence Poultney, did of me demand

What was the speech among the Londoners

Concerning the French journey: I replied,

Men fear’d the French would prove perfidious,

To the king’s danger.

 

 -Surveyor

 King Henry the Eighth          Act I, Scene ii, Line 156

 

There’s a pretty long line for you, but only one sentence. We’ve covered this part of this scene before, here, here, and here. So I’m thinking there’s no need to rehash this.

What do you think?

 

 

 

 

 

 

Away, you starveling, you eel-skin, you dried neats-tongue, you bull’s-pizzle, you stock-fish,-- O, for breath to utter what is like thee!—You tailor’s-yard, you sheath, you bow-case, you vile standing-tuck,--

  

-Sir John Falstaff

 King Henry the Fourth Part I       Act II, Scene iv, Line 248

 

And thankfully Prince Henry interrupts Falstaff after ‘standing-tuck’ to set the story straight.

This is the scene where Prince Henry and Poinz meet up with Falstaff and the other three of his group at the inn. Falstaff is relating the tale of what happened to him and the other three. According to Fastaff, they had just finished robbing a group of travelers when they were set upon by a very large group of bandits who took all the loot. The Prince knows that it was he and Poinz wearing masks who were the ‘very large group’ of bandits, and he is calling Falstaff’s bluff. And this is why Falstaff is calling the Prince every name he can think of.

My favorite in this paragraph is bull-pizzle. It just sounds good. I don’t know what most of these insults mean, but I looked up pizzle and apparently it means penis. So that just makes it better. I may have to use this one, though I’m pretty sure that if I do the person will know that I’m not saying anything good about him.

Bull-pizzle.

I found the perfect parking spot this morning.

No bull-pizzle.

 

 

 Your eyes do make no coaches; in your tears

There is no certain princess that appears;

You’ll not be perjured, ‘tis a hateful thing;

Tush, none but minstrels like of sonneting!

 

-Berowne

Love’s Labour’s Lost             Act IV, Scene iii, Line 154

 

What have we here?

I’ve no idear.